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                <text>Slide 26 - From the churchyard gate to the South Porch, the pathway passes under a yew tree avenue, the whole distance.&#13;
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&#13;
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                <text>Slide 25 - Before we leave Burton Agnes some reference may be made to the very interesting church in the village, which is intimately associated with the Hall.  It is an ancient edifice, going back to the Norman period.  It has been the burial place of all the families who have owned and occupied the Burton Agnes Estates from the earliest times.</text>
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As will be noticed, this apartment possesses features of a severe classic character, quite different, in this respect, to the other portions of the house we have seen, which are of the earlier or Jacobean period.&#13;
&#13;
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                <text>Slide 21 - The State, or King James's State Room, is another fine apartment, the walls of which are wainscoted in oak, formed into large panels with enriched arches and borders, and pilasters between. The ceiling is divided up into a graceful geometric design and forms an effective finish to the room.</text>
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&#13;
Over the fireplace is a very strange carving, 'The Dance of Death', carved out of one solid piece of oak about 8 feet by 5 feet, the ancient legend being curiously represented in a very elaborate manner.&#13;
&#13;
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&#13;
Such a place as Burton Agnes would scarcely be without its ghost, and the story as related in the neighbourhood, is so curious as to be worthy of a place here.  It carried back the mind to the time when three sisters were co-heiresses of Burton Agnes and, according to the legend, appear to have been greatly concerned in the building of the place.  One of them, who had a very special interest in picturesque mansion, made her sisters promise that, after her death, her head should be removed from body, and be preserved within the house she loved.  The promise was made to pacify her, but when she was dead it was forgotten, and shortly thereafter, great disturbance in the Hall betokened the disquiet and return of her ghost to the scene of her mortal pilgrimage.  In alarm, the coffin was then brought to the surface, and ghoulish hands carried the head of the deceased lady into the mansion, whereupon the disturbance ceased.  Time passed on and one day a maid servant threw the mummified remain from the window, and it fell upon a passing wagon, which seemed rooted as by magic, to the road, and could not be moved until the skull was removed to its place.&#13;
&#13;
Again, one of the Boyntons who was skeptical of the lady's power, had the skull buried in the park, but the dreadful wailings began afresh, and ceased only when the skull had been restored. The place where the skull remains is pointed out to be in the wall behind one of the pictures.&#13;
&#13;
Such legends are attached to many old houses, but few places can be so appropriate for the ghostly footfall as the oak paneled chambers of Burton Agnes Hall.</text>
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&#13;
As will be noticed, the wheel has two sets of spokes fixed into a wooden shaft in the centre, and the outer rim of the wheel is boarded cross ways, and of sufficient breadth to admit a man getting inside between the two sets of spokes. By walking, or rather running, on the inside circumference of the Wheel, the man's weight would propel and cause it to revolve on its axis, and setting in motion the gearing attached to the pump, and thus draw water from the well, to supply the Hall.</text>
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                <text>Burton Agnes Hall, Twelfth Century Crypt Adjoining Hall - HLS05708</text>
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                <text>Architecture, Buildings, Hall</text>
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                <text>Slide 3 - The earliest remains of domestic architecture here are in a building immediately to the west of the Hall, the basement of which is vaulted on cylindrical piers, with volute Capitals, of the Transitional Period (about C. 1170), and is probably the work of Roger de Stuteville, one of the early owners of Burton.</text>
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            <name>Rights</name>
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            <name>Identifier</name>
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                <text>Pennine Horizons Digital Archive</text>
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                <text>Hebden Bridge Local History Society</text>
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            <name>Coverage</name>
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                <text>Yorkshire, UK</text>
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            <name>Source</name>
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                <text>Hebden Bridge Literary &amp; Scientific Society</text>
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        <name>Architecture</name>
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        <name>Buildings</name>
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        <name>Hall</name>
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                  <text>Historic Homes of Yorkshire collection</text>
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                  <text>This Album contains images with notes on the Historic Homes of Yorkshire, a series of lectures first given to the Hebden Bridge Literary &amp;amp; Scientific Society by Mr. George Hepworth around 1916. An architect by profession, in 1894 he was a founder member of the Brighouse Photographic Society, and became a much sort after photographic artist and lanternist (someone who operates a magic lantern). He achieved wide popularity with his book 'Brighouse, its Scenery and Antiquities'; as only a 100 copies were published it has become something of a collectors item. The lectures take the form of a guided tour of the properties, and the language of the original notes has been maintained.&lt;br /&gt;&lt;br /&gt;See &lt;strong&gt;&lt;a href="/exhibits/show/historic-homes-of-yorkshire" title="Link to exhibit of historic homes"&gt;Exhibit&lt;/a&gt;&lt;/strong&gt;</text>
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                  <text>Photographs were taken in the early 1900s.</text>
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                  <text>PHDA - Hebden Bridge Local History Society</text>
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                <text>Burton Agnes Hall, South Front from Cross Path - HLS05707</text>
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            <description>The topic of the resource</description>
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                <text>Architecture, Buildings, Garden, Garden feature, Gardens, Hall</text>
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                <text>Slide 2 - Burton Agnes came to the Boyntons through the marriage of Sir Matthew Boynton of Barmston with the daughter of Sir Henry Griffiths of Burton Agnes.&#13;&#13;Sir Francis Boynton of Barmston, son and successor of Sir Matthew Boynton succeeded to Burton Agnes and came to reside there in February 1654, on the death of his maternal uncle, Sir Henry Griffith, Bart. From that time forward successive baronets have lived on their paternal estates.&#13;&#13;This shows a view of the South front from a different standpoint.  The building on the extreme left shows a portion of an older edifice.</text>
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                <text>PHDA - Hebden Bridge Local History Society</text>
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