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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
It's amazing enough for a business to survive for around a century but for it to be in the hands of only three proprietors makes for a fascinating story which "Alice's Album" tells from beginning to end.</text>
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
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&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
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&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
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&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
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&#13;
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                  <text>Alice Longstaff (née Speak) (d. 1992 aged 85) was a remarkable lady. Born at Little Lear Ings farm in Heptonstall on May 16 1907, she started work at 14 years old, in September 1921, as apprentice photographer at the Westerman Studio, 25 West End, Hebden Bridge. Crossley Westerman had established the studio in 1890; on his death in 1918 his daughter Ada took over the business, and it was Ada who trained the young apprentice. Alice remained there for the next 70 years. In 1935 she and her family bought the business, and her brother Clement became the framer and darkroom technician, until he died in 1963. In 1935 Alice married John Longstaff who joined the business as picture framer when Clement died, and they continued to work together until her death in 1992.&#13;
&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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                <text>Situated between Hebden Bridge and Mytholmroyd. Demolished around due to dry rot.

See photograph Ref. 010a of Daniel Jones Crossley who moved into the newly built  Fallingroyd House in 1873 with his wife and two sons.

In 1873 Daniel Jones Crossley moved into his newly built Falling Royd House along with his wife and 2 sons. The wages book for the servants lists a cook, and three other female servants described as waitress, housemaid and general domestic servant. A gardener lived at Falling Royd Lodge, and three men, housed at Falling Royd Cottages, were described as coachman/groom, agricultural labourer, farm servant. The men were paid about £2 a fortnight (£52 a year) whereas the women were paidless and monthly. The cook was paid around £20 a year.

From 1902 onwards a nurse was employed, presumably to care for Mr. Crossley because he became "afflicted with a painful disease which totally incapacitated him from following active duties". He was confined to the grounds and residence of Falling Royd unable even to go for a carriage drive. For someone who went on a tour of the world in his thirties, this must have been frustrating. His active life, not counting his business, included being a county councillor (he took a non-political stance although a staunch liberal), a magistrate, president of the choral and harmonic society and president of Hebden Bridge Ambulance Association. He helped to build Hope Baptist Church, to found Hebden Bridge and District Nursing Institution and supported the annual Old Folks Treat Movement at Hebden Bridge. He died in 1907 but his son, Arthur Riley Crossley continued to live at Falling Royd until early I 920s when he moved to Aldershot. He tried to auction the house but selling it was a problem. In 1928 Charles Robertshaw, later to be knighted, became the new owner. The farm buildings and outbuildings were no longer inhabited. He died in 1960 and Lady Alice continued to live there. The house by then had a garage and shooting range. After her death in 1964, the house was sold. It was demolished about 1970 due to the poor state of the building and a new house erected on the site.</text>
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
It's amazing enough for a business to survive for around a century but for it to be in the hands of only three proprietors makes for a fascinating story which "Alice's Album" tells from beginning to end.</text>
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
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&#13;
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&#13;
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0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
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&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
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0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
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&#13;
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&#13;
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Alice Longstaff -  Gallery collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Classic images of Hebden Bridge and district.</text>
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              <description>An account of the resource</description>
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                  <text>Alice Longstaff (née Speak) (d. 1992 aged 85) was a remarkable lady. Born at Little Lear Ings farm in Heptonstall on May 16 1907, she started work at 14 years old, in September 1921, as apprentice photographer at the Westerman Studio, 25 West End, Hebden Bridge. Crossley Westerman had established the studio in 1890; on his death in 1918 his daughter Ada took over the business, and it was Ada who trained the young apprentice. Alice remained there for the next 70 years. In 1935 she and her family bought the business, and her brother Clement became the framer and darkroom technician, until he died in 1963. In 1935 Alice married John Longstaff who joined the business as picture framer when Clement died, and they continued to work together until her death in 1992.&#13;
&#13;
0ne of the most frequently-asked questions about the Longstaff Collection is why was it named after Alice, when so many of the photographs in the archive are credited to her predecessor Crossley Westerman?&#13;
&#13;
Alice's Album - The Story of a Hebden Bridge Photographer's Studio, has the answer and much more!  Copies are still available from local bookshops and online from Hebweb. This 68-page high quality soft-back lavishly illustrated with photographs in colour, sepia and black and white, it tells the story not only of Alice but of Crossley Westerman and his daughter, Ada, too, without whom there would be no collection.&#13;
&#13;
Founder of the studio in the early 1890s, Crossley Westerman could have had little inkling of the amazing retailing tradition he had set in motion, ending only with the death, 100 years later, of Alice Longstaff who took over in 1935.&#13;
&#13;
It's amazing enough for a business to survive for around a century but for it to be in the hands of only three proprietors makes for a fascinating story which "Alice's Album" tells from beginning to end.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Copyright (c) 2006-2017 Pennine Horizons Digital Archive</text>
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              <name>Creator</name>
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                  <text>Alice Longstaff and her predecessors.</text>
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              <name>Publisher</name>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>ca. 1890 - ca. 1990</text>
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              <description>A language of the resource</description>
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                  <text>English (U.K.)</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Upper Calder Valley, West Yorkshire</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Documentary Photograph</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>ALC</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Birchcliffe Maypole Dancers, 1894 - ALC00198</text>
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                <text>Birchcliffe, Boy, Boys, Child, Children, Event, Events, Girl, Girls, Kid, Maypole, People, Places, Toddler</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>PHDA - Alice Longstaff Collection</text>
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            <name>Relation</name>
            <description>A related resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>TIFF file 8-bit</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>1890s</text>
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